-- Amil Imani

    Ronald Kessler has written an extremely important book that discloses the inside story of the War on Terrorism.  He takes a complex subject full of long functional names and leads the reader to relatively easy comprehension.  He has exposed the incredibly difficult counterterrorism job of protecting this nation from Islamic extremists. This book was very difficult to write but Kessler has humanized the people of the FBI and CIA by telling their personal story as part of the massive efforts they undertook that overhauled our defenses from September 11, 2001 to today. There has not been a successful al Qaeda attack on American soil since 9/11. And these folks are entitled to our praise for their fine work.  Along the way, Kessler reveals the distortions and harm that the left leaning
media and especially the New York Times and Washington Post have done to the nation’s efforts to protect our citizens.

Fire, arguably, is important to life after air, water, and food. Fire, broadly defined, is energy. And energy runs the world. It fuels the body, operates the mind, heats homes, and runs endless machines and instruments.   When energy is put to good use, it is the boon of mankind. And when it is misused or abused it is the bane of humanity. Therefore, credit or blame rests with the user of energy.   Religion is a special case of energy in the same way that steam is a derivation of fire. Steam engines move mass in physical space. Religion, emotional energy, propels people’s mind in the metaphysical realm.

It happened here, on January 26, 2008 at the UCLA Freud PlayHouse, in Los Angeles, California. It brought the world's most renowned scholars and top performing artists to a remembrance of the life of Cyrus the Great, the founding father of Persia and the mighty Persian Empire— perhaps the most exemplary, magnificent and just king the world has ever known. This event put together visual arts, the ambience of the theater, the inspirational young and beautiful Anna D. Janbazian’s dancers who, in precise rows executed, perfectly harmonious and breathtaking dances. {C}

The entertainment continued with delightful music by the legendary Iranian pop singer, Dariush, who selflessly and quickly accepted the offer to perform without any compensation for this noble cause. And, the same goes for the always magnificent, Oscar-Nominated composer, vocalist and performance artist, the beautiful Sussan Deyhim.

It happened here, on January 26, 2008 at the UCLA Freud PlayHouse, in Los Angeles, California. It brought the world's most renowned scholars and top performing artists to a remembrance of the life of Cyrus the Great, the founding father of Persia and the mighty Persian Empire— perhaps the most exemplary, magnificent and just king the world has ever known. This event put together visual arts, the ambience of the theater, the inspirational young and beautiful Anna Djanbazian’s dancers who, in precise rows executed, perfectly harmonious and breathtaking dances.

As a group, Muslims are paranoid and suffer chronically from the disease of victimization. That is, they either victimize the helpless whenever and wherever they can, or scream murder against the strong. This mentality is one of the many bequests that Muhammad left for his Ummah. Recall that Muhammad himself bemoaned his victim plight in Mecca, packed his bags and fled to Medina where the Jews were not as vicious as his own Quraish tribe operating the lucrative tourist business of the idolaters.

Nearly 1400 years ago, a group of nomads from across the scorching Arabian Desert conquered Persia (Iran), the greatest empire known to the history of mankind. With that, they injected their Islamic virus into the veins of their victim: the Iranian people.

Isn’t it time for all Iranians, in a show of solidarity, to stand shoulder to shoulder with the civilized free people of the world to defeat this virulent disease of Islam?